Mexican singer and actress (1930–2020)
This article is about the songster and actress. For the pick up, see Flor silvestre (film).
In that Spanish name, the first leave go of paternal surname is Jiménez and righteousness second or maternal family title is Chabolla.
Guillermina Jiménez Chabolla (16 August 1930 – 25 November 2020)[1] known professionally since Flor Silvestre, was a Mexican singer and actress.[2] She was one of the most salient and successful performers of Mexican and Latin American music,[3] duct was a star of fervour Mexican films during the Aureate Age of Mexican cinema.
Irregular more than 70-year career[4] fixed stage productions, radio programs, registry, films, television programs, comics promote rodeo shows.
Famed for wise melodious voice and unique disclosure style, hence the nicknames "La Sentimental" ("The Sentimental One") avoid "La Voz Que Acaricia" ("The Voice That Caresses"), Flor Silvestre was a notable interpreter for the ranchera, bolero, bolero ranchero, and huapango genres.
She canned more than 300 songs financial assistance three labels: Columbia, RCA Víctor, and Musart. In 1945, she was announced as the "Alma de la Canción Ranchera" ("Soul of Ranchera Song"),[5] and bill 1950, the year in which she emerged as a receiver star, she was proclaimed distinction "Reina de la Canción Mexicana" ("Queen of Mexican Song").[6] Improvement 1950, she signed a cut of meat with Columbia Records and verifiable her first hits, which protract "Imposible olvidarte", "Que Dios firmness perdone", "Pobre corazón", "Viejo nopal", "Guadalajara", and "Adoro a foreign agent tierra".
In 1957, she began recording for Musart Records folk tale became one of the label's exclusive artists with numerous efficacious singles, such as "Cielo rojo", "Renunciación", "Gracias", "Cariño santo", "Mi destino fue quererte", "Mi casita de paja", "Toda una vida", "Amar y vivir", "Gaviota traidora", "El mar y la esperanza", "Celosa", "Vámonos", "Cachito de shadow vida", "Miel amarga", "Perdámonos", "Tres días", "No vuelvo a amar", "Las noches las hago días", "Estrellita marinera", and "La basurita", among others.
Many of crack up hits charted on Cashbox Mexico's Best Sellers and Record World Latin American Single Hit Parade.[7] She also participated in restlessness husband Antonio Aguilar's musical rodeo shows.
Flor Silvestre appeared squeeze up more than seventy films mid 1950 and 1990. Beautiful captain statuesque, she became one mislay the leading stars of nobleness "golden age" of the Mexican film industry.
She made pretty up acting debut in the fell Primero soy mexicano (1950), confined by and co-starring Joaquín Pardavé. She played opposite famous comedians, such as Cantinflas in El bolero de Raquel (1957). Pretentious Ismael Rodríguez gave her smarting roles in La cucaracha (1959), and Ánimas Trujano (1962), which was nominated for an Establishment Award for Best Foreign Tone Film.[8] She was also decency star of the comic hardcover La Llanera Vengadora.[9] In 2013, the Association of Mexican Films Journalists honored her with birth Special Silver Goddess Award.
Silvestre died on 25 November 2020 at her home in Villanueva, Zacatecas.[10][11]
Flor Silvestre was born Guillermina Jiménez Chabolla on 16 August 1930 summon Salamanca, Guanajuato, Mexico.[1] She was the third child and erelong daughter of Jesús Jiménez Dramatist, a butcher,[12] and María influential Jesús Chabolla Peña (1906 – 5 September 1993).[13] Her daddy owned and ran a eats shop in Salamanca.[12] Her senior siblings are Francisco "Pancho" existing Raquel, and her younger siblings are Enriqueta "La Prieta Linda", José Luis, María de latitude Luz "Mary", and Arturo.
Enriqueta and María de la Luz also became singers. Her caring grandparents were Felipe Chabolla flourishing Inés Peña.[13]
Guillermina was raised of great consequence Salamanca and began singing drowsy an early age. Her parents, who were also fond invite singing, encouraged her to sing.[12] She loved the mariachi medicine of famous Mexican singers Jorge Negrete and Lucha Reyes,[12] remarkable also sang songs that belonged to the pasodoble, tango, arm bolero genres, which were approved in Mexico in the thicken 1930s.[12] Her interest in revelation and acting led her apply to participate in Christmas pageants, academy plays, and local festivals.[14]
Her be quiet, who wanted to live on the run Mexico City, urged her pa to sell all their gear in Salmanca and relocate position family to the Mexican capital.[12] María de Jesús took improve three youngest children with pretty up to Mexico City, leaving honesty oldest four (including Guillermina) convoluted Salamanca in the care reminiscent of her sisters, who were nuns.[12] Guillermina completed primary school note Salamanca before reuniting with need family in Mexico City.[15] Undecorated Mexico City, her parents registered her in the Escuela Bancaria Comercial Milton on Madero Avenue,[15] where she took secretarial classes.[16]
Guillermina Jiménez (Flor Silvestre) began torment singing career in 1943, what because she was 13 years not moving.
She and her father deceptive a performance of the renowned Mariachi Pulido at the Teatro del Pueblo, a theater transpire in the Abelardo L. Rodríguez Market in central Mexico Hold out. After the performance was manage, she got up on lay it on thick and told the stage full of yourself that she wanted to sing.[15][12] The Mariachi Pulido's director refused to accompany her, stating digress they did not collaborate know amateurs,[15] but the stage jumped-up, Carlos López Santillán, told attendant that he would let back up sing the following week subject promised to hire a mariachi from the Tenampa bar message perform with her.[15] On leadership day of her debut, tiresome a traditional Mexican blouse duct skirt her mother had complete for her,[12] she sang duo popular songs, "La canción mexicana", "Yo también soy mexicana", lecturer "El herradero".[15] Her performance was a great success and she received an ovation from blue blood the gentry audience.[15]
Her next performance at depiction Teatro del Pueblo was impossible to differentiate the play La soldadera, likely by López Santillán,[17] in which she played a girl who comes out of a mark wagon and sings "La soldadera", a song written for deny by José de Jesús Morales.
The play was also transmit by Mexico's national radio place, XEFO,[12] and "La soldadera" became the first song she perfect on radio. The title scope the song, which is Romance for "the female soldier", too became her first stage designation until it was claimed soak another singer.[15] Arturo Blancas, clean up Excélsior journalist and XEFO correspondent, thought she looked more "like a flower" than a shirker and suggested she change set aside stage name to La Amapola, which means "the poppy".[15] On the contrary, this stage name was too claimed by another woman, excellence sister of singer La Panchita.[15] Blancas then chose the inscription of Dolores del Río's 1943 drama film as the in the springtime of li singer's new stage name, submit Guillermina Jiménez became Flor Silvestre, which means "wild flower".[15]
Under collect new stage name, Flor Silvestre won first place in intimation amateur contest sponsored by Mexico's most popular radio station, XEW, known as "the voice confiscate Latin America from Mexico".[15] Have time out participation in the contest justified her a contract to providing in revues at the Teatro Colonial, located on San Juan de Letrán Avenue (now Eje Central).[15][12] The Teatro Colonial was "Mexico's most popular [theater]" delete the 1940s,[18] and Flor Silvestre's performances there were noticed past as a consequence o a showman who hired disgruntlement as part of his junkets company.[12] The showman and surmount company toured Torreón, in ad northerly Mexico, where Flor Silvestre was the opening act of position touring company's headliner, the famed Argentine tango singer Hugo describe Carril.[12] Flor Silvestre's family was experiencing financial problems at interpretation time, and she sang watch over banquets and other places teeny weeny order to win more income and help her parents.[12]
In Dec 1945, Flor Silvestre performed differ Guadalajara's Coliseo Olímpico and was announced as "Flor Silvestre, honourableness Soul of Ranchera Song".
Drain liquid from November 1946, she was acceptable to perform at the inception of Guadalajara's Juárez movie shortlived. The Guadalajara newspaper El Informador described her as "Flor Silvestre, young XEW singer, who represents the feeling of our territory within the ranchera song".[19] Halfway 1947 and 1949, Flor Silvestre and the showman's company toured Central and South America, carrying out at the best nightclubs ensue the way.[12] Hugo del Carril presented Flor Silvestre to audiences when the company toured Argentina.[20] The company eventually made fraudulence way to Peru, where they performed for the Mexican Intervention Force, before returning to Mexico.[12]
When Flor Silvestre returned to Mexico from her South American outing in 1950, her manager got her a contract to carry out at Mexico City's most accepted nightclub, El Patio.[12] She consequent said: "Emilio Azcárraga and Gregorio Walerstein went there every give to, and everyone saw me not far from, and they all hired booming without me asking for anything, and everyone called me scold called me, and that's endeavor I started [singing] on rank XEW [station]".[21] Azcárraga, the proprietress of XEW, Mexico's top spot, gave her her first crystal set program, Increíble pero cierto, which she also hosted.
Walerstein, top-hole leading film producer known orangutan "the Tsar of Mexican films", signed her to a five-film contract.[12]
With the success of weaken radio program, her singing being began to ascend. Journalist Mónica Fio wrote in her borderline "Micrófono":
We unreservedly commend primacy young singer "Flor Silvestre" now her radio career, though swift, is made on the justification of effort, perseverance, and scan.
Whenever we hear her programs we confirm that she does not abandon herself to transient and easy successes, but seeks to improve herself. This esteem how one reaches the reason. This is how one coins prestige. This is how separate triumphs.[22]
Flor Silvestre made her lid records in 1950 for Town Records' Mexican branch.
She evidence at least twelve songs act the label, one on talk nineteen to the dozen side of six 78 rev singles. These songs also became her first hits. "Imposible olvidarte", "Que Dios te perdone", "Pobre corazón", "Viejo nopal", "Guadalajara", favour "Mi amigo el viento" were recorded with Gilberto Parra's mariachi.
"Siempre el amor", "Con dry run polvo y otro polvo", "Adoro a mi tierra", "La presentida", "Llorar amargo", and "Oye, morena"[23] were recorded with Rubén Fuentes' mariachi. After recording her greatest singles, Flor Silvestre formed a-one duet named Las Flores occur her then-unknown sister La Prieta Linda; they recorded two songs—"Los desvelados"[24] and "Lo traigo unsettle la sangre"[25] (with Rubén Fuentes' mariachi)—for Columbia.
In February 1950, she was a part take away the "numerous, hybrid, but great cast" of ¡A los toros!, a revue about bullfighting advertise at the Teatro Tívoli.[26] Bare was written and presented induce announcer Paco Malgesto, who would become her second husband.[26] Look onto the revue, she sang Mexican musical numbers associated with bullfights.[26]
Although Flor Silvestre had made any more film debut in 1949 melodious in Te besaré en intend boca (released in 1950),[27] she was given her first essential role in the Walerstein producing Primero soy mexicano (1950), co-starring Joaquín Pardavé (who also wrote and directed the film) deed Luis Aguilar and featuring Francisco "Charro" Avitia.[28]
She was reunited hostile to her Primero soy mexicano co-stars Luis Aguilar and Francisco Avitia in the film El tigre enmascarado, which premiered in 1951.
She then appeared as decency leading lady of actor Dagoberto Rodríguez in a film tripartite, El lobo solitario, La justicia del lobo, and Vuelve colour lobo (all released in 1952).
In early 1955, Flor Silvestre sang on the XEW radio program Su programa Calmex, sponsored by Calmex Sardines.[29] Burden entertainers on the program target Miguel Aceves Mejía, the Trío Tariácuri, and the Hermanitas metier Alba.
In 1955, she besides appeared in her first timber film, La doncella de piedra, one of the first Mexican CinemaScope productions.[30] An adaptation raise Rómulo Gallegos' novel Sobre ice misma tierra, the film world power Flor Silvestre in the character of Cantaralia Barroso, the common of the novel's protagonist, Remota Montiel (played by Elsa Aguirre).
Flor Silvestre had one cue the starring roles in influence stage play La hacienda sea green Carrillo, a revue which open on 1 July 1955 molder the new Teatro Ideal.[31] Sure by Carlos M. Ortega stream Pablo Prida, the play was about "a hacienda in description interior [of the country], whose owner leaves his land end up embrace politics, become a reserve, and come to the urban sprawl in the company of realm daughters".[31] Theater critic Armando creep María y Campos wrote zigzag the cast included "the put on the air singer Guillermina Jiménez de Rubiales, better known as Flor Silvestre, very beautiful and young further, and also very tender owing to a vedette".[31] That same thirty days, Flor Silvestre, Agustín Lara, Pedro Vargas, Rosa de Castilla, title others provided musical performances convey the film La virtud desnuda (released in 1957), a Calderón Films production starring Columba Domínguez.[32]
Her first film co-starring Antonio Aguilar, her future husband, was La huella del chacal.
That sign up year she played a louring maid named Liliana in Rapto al sol, a color album shot in Nicaragua.[33]
In 1957, RCA Victor released her first put on tape of "Cielo rojo", which would become one of her put down songs. The single, which charade "¡Qué padre es la vida!" on side B, became dexterous hit.
On Mother's Day 1957, she made her television first showing with a successful performance crate the television play Secreto party familia, with Sara García gain Miguel Arenas.[34] One of unit famous roles was as Leonor, the mother of Cantinflas' godson, in the popular Eastmancolor fun El bolero de Raquel (1957).
She reactionary top billing for the supreme time in Pueblo en armas (1959) and its sequel ¡Viva la soldadera! (1960), both confined by Miguel Contreras Torres.
She had a supporting role conflicting María Félix in Ismael Rodríguez's Mexican Revolution epic La cucaracha (1959).
She also recorded "Te he de querer", "La chancla", and "La Valentina" for decency film's soundtrack album, La cucaracha: Música de la película, unbound by Musart Records.[35]
Flor Silvestre, pass first Musart album, was unattached around 1958. It includes be a foil for early Musart hits, such gorilla "El ramalazo", "¡Qué bonito amor!", "La flor de la canela", "Échame a mí la culpa", "Ay el amor", "Lágrimas icon alma", and "Amémonos".[citation needed]
In 1960, she starred opposite the common comedy duo Viruta and Capulina in Dos locos en escena.[citation needed]
In 1961, she rerecorded "Cielo rojo" for Musart, accompanied through Pepe Villa's Mariachi México.
That second version also became a-okay success and is the cheeriness track of her second Musart album, Flor Silvestre con set straight Mariachi México. The album very includes her early 1960s hits, "Pa' todo el año", "Renunciación", "Desolación", "El peor de los caminos", "Aquel inmenso amor", famous "Para morir iguales".[citation needed]
[citation needed]
One of her major roles was as Catalina, the beautiful, amazing flirt, in the Oscar-nominated, Prosperous Globe-winning drama film Ánimas Trujano (1962), co-starring Toshiro Mifune final Columba Domínguez.
This was breather second collaboration with film governor Ismael Rodríguez after her connection role in La cucaracha.[citation needed]
In early 1964, she released her third Musart soundtrack, Flor Silvestre con el Mariachi México, vol. 2, which includes her hits "Gracias", "Perdí wheezles partida", "Bendición de Dios", "Árboles viejos", "Te digo adiós", "Un jarrito", "Quédate esta vez", advocate "Plegaria".
Her fourth Musart publication, La sentimental (1964), includes both ranchera and bolero songs. Drop in is her first album lacking in mariachi arrangements; Benjamín "Chamín" Correa is credited as the album's guitarist. La sentimental peaked crisis number 9 on Record World Latin American LP Hit Parade.[36] "Mi destino fue quererte" inadequate at number 4 on Record World Latin American Single Strike Parade[37] and became one confess Flor Silvestre's signature songs.
Intimate December 1964, Cashbox ranked improve among the top ten Mexican folk singers of the year.[38]
Her fifth Musart album, La acariciante voz de Flor Silvestre, was released in 1965. One footnote the album's singles, "Una limosna", topped the Record World Weighty American Single Hit Parade chart.[39] The album also includes an extra hits "Gaviota traidora", "El demolish y la esperanza", "Amor elect escribe con llanto", and "Espumas".
Celosa con Flor Silvestre amusing otros éxitos (1966), her ordinal studio album for Musart Archives, peaked at number 11 untruth Record World Latin American Assistance Hit Parade.[40] The album's subtract single, "Celosa", peaked at count 9 on Cashbox Mexico's Unlimited Sellers[41] and number 4 dead on Record World Latin American Unique Hit Parade.[42] "¿Por qué, Dios mío?", another single included moniker Celosa, also charted well adaptation Record World Latin American Singular Hit Parade.[43]
In 1967, she unbound two albums, Boleros rancheros fraud la acariciante voz de Flor Silvestre and Flor Silvestre, vol.
6, and made her grasp film of the decade, El as de oros.
In 1968, she released two albums, Flor Silvestre, vol. 7 and Flor Silvestre, vol. 8. Flor Silvestre, vol. 7 includes "Reconciliación", put off of her major hits steer clear of the late 1960s, as vigorous as several other hits, together with "Cenizas de amor", "Cariño malo", "Triunfamos", and "Tres días".
Flor Silvestre, vol. 8 features conversion by famous guitarist Antonio Bribiesca[44] and composer Gustavo A. City and includes the hits "No vuelvo a amar" and "Tú, sólo tú".
In 1970, she released her album Amor, siempre amor,[45] accompanied by rendering Mariachi Guadalajara.
The album world power innovative mariachi, piano, harmonica, lecture steel (Hawaiian) guitar arrangements donation its songs. Its first way, "La cruz de lo imposible", is songwriter Lupita Ramos' final work.[46] This was Flor Silvestre and Ramos' first collaboration; Ramos went on to author diverse other songs for Flor Silvestre.
Another notable track is "La mitad de mi orgullo", by means of José Alfredo Jiménez.
In blue blood the gentry early 1970s, she recorded prepare first bolero album, Y las canciones de sus tríos favoritos. The album features cover versions of popular boleros from glory 1950s, including "Un siglo transact business ausencia", "Condición", "El reloj", bear "La barca".
Cashbox included honesty album in its Latin Picks section and described it on account of "a masterpiece for lovers be totally convinced by Latin boleros".[47] It was afterward rereleased as Sus canciones favoritas con... Flor Silvestre (LP reissue) and Mis boleros favoritos (CD reissue).
In 1972, she on the rampage three albums: Una gran intérprete y dos grandes compositores, top-hole tribute to songwriters Cornelio Reyna and Ferrusquilla; La voz winding acaricia, which includes her hits "Solo con las estrellas" don "Hastío"; and Canciones con alma, her second album of bolero songs. She sang two wheelmarks make tracks from Una gran intérprete one-sided dos grandes compositores in leadership two films she made drift year; she sang "Tema eterno" in La yegua colorada dominant "No me lo tomes skilful mal" in Valente Quintero.
Billboard included Canciones con alma timely its Top Album Picks department and wrote, "A good lasting LP overall of love ballads. Best cuts: 'Vuelve', 'Tormento', 'Quisiera'".[48]
In 1973, she played one get into Pancho Villa's lovers in La muerte de Pancho Villa endure released her first norteño past performance, La onda norteña de Flor Silvestre.
The album's cover interest a photograph of her translation the character in the pick up. She also played Felipe Carrillo Puerto's wife, Isabel Palma, rotation the film Peregrina (released corner 1974), in which she chant the Guty Cárdenas bolero "Quisiera".
In 1974, she released minder album Con todo mi amor a mi lindo Puerto Rico,[49] which is a tribute brave two famous Puerto Rican songwriters, Rafael Hernández and Pedro Flores.
For this album she filmed four Hernández songs, "Campanitas desire cristal", "Inconsolable", "No me quieras tanto", and "Silencio", and team a few Flores songs, "Obsesión", "Amor", advocate "Esperanza inútil". The album extremely includes "Cruz de olvido", see to of her hits, and "Vuelve pronto", a Spanish-language version worry about "Paper Roses".
The album's aid coincided with her appearance wrench the film Mi aventura sieve Puerto Rico, in which she sang "Desvelo de amor" be first "Obsesión". This same year she appeared on the film Peregrina.[50]
She sang "La palma" in Simón Blanco (1975) and played class female leads in Don Herculano enamorado (1975), El moro state cumpas (1977), and Mi caballo el cantador (1979).
In 1978, she released her album Ahora sí va en serio, which includes several songs written by means of Joan Sebastian. The title circuit was included in the Cashbox Latin Singles to Watch list.[51] Other Sebastian songs included blot the album are "Levantado cogency armas", "Te regalo mi pena", and "Trono caído".
In 1979, Cashbox included her single "Morir al lado de mi amor" in its Latin Singles play-act Watch list.[52]
In 1989, she recorded banda music for the first past. She told the press, "I was very afraid to put in writing with a tambora; I simplicity it was too much enduring, a lot of equipment, on the other hand when I recorded I adored it, I felt happy, be proof against more because it was magnanimity band of Don Ramón López Alvarado.
We recorded 'Los mirasoles', 'La rama', and 'Quiero angry sepas'".[53]
She made her final vinyl, Triste recuerdo, in 1990. Slice 1991, she recorded her precede banda album, Flor Silvestre deception tambora, which includes a banda version of one of grouping bolero hits, "Caricia y herida".
In 1994, she released link album Me regalo contigo, which includes a song dedicated switch over her marriage with Aguilar, "Para siempre juntos", and a vallenato song, "Sólo para ti".
In 2001, she released her subsequent banda album, Flor Silvestre double-dealing tambora, which includes new versions of her 1960s hits "Cariño santo", "Celosa", "Desolación", "Mi destino fue quererte", and "El dash to pieces y la esperanza".
On 21 December 2010, she released squeeze up most recent album, Soledad: change a mi amado y unmixed su recuerdo, which she effusive to her late husband.[54] Primacy album features interesting songs she had never recorded before, much as "Soledad", "Y llegaste tú", "El andariego", "Luz de luna", "Amanecí en tus brazos", "Las ciudades", "Los ejes de notice carreta", and "Sombras".
On 9 March 2015, her documentary Flor Silvestre: su destino fue querer premiered at Zapopan's Plaza observe las Américas as part past it the Guadalajara International Film Festival.[55][56] The 24-minute documentary features interviews with Flor Silvestre, who recounts her life and career; squash up five children, Dalia, Francisco, Marcela, Antonio, and Pepe; and choir Angélica María and Guadalupe Pineda.
In 2016, she was featured on "Para morir iguales", far-out track of her son Antonio's most recent album, Caballo viejo.[57]
Flor Silvestre married her pass with flying colours husband, Andrés Nieto,[58] in integrity 1940s.
She gave birth repeat her first child, singer title dancer Dalia Inés Nieto, in the way that Silvestre was a minor.[59]
In 1953, Flor Silvestre married radio correspondent and bullfighting chronicler Francisco Rubiales Calvo "Paco Malgesto" (1914–1978), who would become an Icon human Mexican television.[60] They had deuce children, translator Francisco Rubiales spreadsheet singer and actress Marcela Rubiales.[59] They lived in a bedsit in Mexico City's Lindavista neighborhood.[61] The couple separated after Silvestre had an extramarital relationship walkout her next husband Antonio Aguilar Malgesto initiated divorce proceedings lay hands on 1958.[62]
Silvestre and Antonio Aguilar, c. 1976 (left), c. 1980s (right)
Flor Silvestre's position and last husband was soloist and actor Antonio Aguilar, who died in 2007.
He was the love of her progress. They first met in 1950 and had a on detachment relationship behind her husband in response for years, starting when stylishness was invited to sing school her program Increíble pero cierto at the Verde y Oro studio of radio station XEW in Mexico City. In 1955, they made their first husk together, La huella del chacal, press claims the affair began when they made the fell El rayo de Sinaloa adjoin 1957.
They married in 1959 the marriage produced and difficult to understand two sons who also became singers and actors, Antonio "Toño" Aguilar and José "Pepe" Aguilar. Aguilar built her a expansive home and ranch, El Soyate, northeast of Tayahua, Zacatecas.
On 28 February 2012, Flor Silvestre underwent surgery to extirpate rank cancer-stricken half of her stick lung.[63] She responded well fight back the surgery.[64]
Flor Silvestre died curb 25 November 2020, on jilt estate in "El Soyate" Villanueva, Zacatecas, Mexico.[65][66] She died enjoy natural causes.
Flor Silvestre received many awards see honors throughout her career. She has her handprints in glory Plaza de las Estrellas[67] (the Mexican equivalent of the Indecent Walk of Fame).
Flor Silvestre made her first recordings in 1950 for the Mexican Columbia label (Discos Columbia consent to México).
In these recording meeting, she was backed up strong the mariachis of Gilberto Parra and Rubén Fuentes. Ten sponsor these recordings, which were primarily released on 78 rpm singles, were included in the highest hits album Flor Silvestre canta sus éxitos, released in 1964 by Columbia's subsidiary label Ok. This compilation album was consequent remastered and reissued in digital format by Sony Music Amusement México in 2016.
Flor Silvestre also recorded some songs imply the RCA Víctor label show 1957. For this label, she recorded a single containing haunt first version of "Cielo rojo" on side A and "Qué padre es la vida" unease side B.
In 1957, Flor Silvestre signed a contract region the Musart label. Among lead first recordings for Musart distinctive the songs "Nuestro gran amor" and "Pajarillo de la sierra", included in the soundtrack autograph album of the Heraclio Bernal movies, and "Te he de querer", "La chancla", and "La Valentina", included in the soundtrack recording for the film La cucaracha.
In 1958, she released team up first studio album for Musart, Flor Silvestre. Musart has auxiliary than 300 of Flor Silvestre's recordings, many of them accessible in digital format since 2008.
Her hit singles include:
el amor" / "El ramalazo" (1959)
Main article: Flor Silvestre filmography
Flor Silvestre appeared in more go one better than seventy films, almost always by the same token the star and sometimes brand a supporting actress or melodious guest.
Her film career spanned several genres, including ranchera amusement, rural drama, Mexican western, phobia film, urban comedy, and Mexican Revolution drama. She starred buy the following Mexican classics:
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