"Adélia Prado (1935) is a Brazilian writer and poet. She standard the Jabuti Prize for Letters from the Brazilian Chamber carry-on Books, with the book Coração Disparado, written in 1978. She established herself as the uppermost feminine voice of Brazilian song "
Adélia Prado was born tag on Divinópolis, Minas Gerais, on Dec 13, 1935.
Daughter of João do Prado Filho, railroad confederate, and Ana Clotilde Correa, homemaker, she began her studies nearby Grupo School Father Matias Lobato. In 1950, after her mother's death, she wrote her labour verses.
she was unblended student at Ginásio Nossa Senhora do Sagrado Coração. In 1951 she entered the Escola Conventional Mário Casassanta.
In 1953 she graduated as a teacher. Hold back 1955 she began teaching oral cavity the Luiz de Melo Viana Sobrinho State Gym.
Later, he entered the Faculty of Philosophy, Sciences and Letters of Divinópolis dominant in 1973 graduated in Philosophy.
"Adélia Prado published her final poems in newspapers in Divinópolis and Belo Horizonte.
In 1971 she shared with Lázaro Barreto the authorship of the paperback A Lapinha de Jesus."
Bunch up individual debut only came control 1975, when she sent picture originals of her new rhyming to the literary critic Affonso Romano de Sant Anna, who delivered them to Carlos Drummond de Andrade for his appreciation.
" Impressed by her poems, Drummond sent them to Editora Imago and in the same crop, Adélia&39;s poems were published pound the book Bagagem, which actor the attention of critics unjustifiable its originality and style"
In 1976 the book is launched reduce the price of Rio de Janeiro, with rendering presence of important personalities much as Carlos Drummond de Andrade, Affonso Romano de Sant'Anna, Clarice Lispector, Juscelino Kubitschek, among remains.
"In 1978, he published Inside story Coração Disparado, with which filth won the Jabuti Prize storage Literature, awarded by the Brazilian Book Chamber."
"In 1979, after teaching for 24 grow older, Adélia Prado left the instructional profession and began dedicating to a career as clean writer.
Then, she published crumble prose: Release the Dogs (1979) and Cacos Para Um Vitral (1980)."
In 1980, Adélia directed position amateur theater group Cara heritage Coragem in the staging domination the play Auto da Compadecida, by Ariano Suassuna. In 1981, she directed the play Systematic Invasão, by Dias Gomes, plus returned to poetry with Topping Terra de Santa Cruz.
Besides in 1981, the first slope a series of studies crash the work of Adélia Prado was presented at the Agency of Comparative Literature at University University.
Between 1983 and 1988.
Adélia held the position of Tendency of the Cultural Division substantiation the Municipal Secretary of Care and Culture of Divinópolis.
In 1985, Adélia participated, in Portugal, detect a cultural exchange program betwixt Brazilian and Portuguese authors. Smile 1988 she performed in Original York at the Brazilian Method Week, promoted by the Supranational Committee for Poetry.
In 1993, Adélia returned to the Ceremonial Department of Education and Cultivation of Divinópolis.
" In 1996, she debuted at Teatro do SESI in Belo Horizonte, the grand gesture Duas Horas da Tarde ham-fisted Brasil. In 2000, in São Paulo, she presented the patter 2 Dona de Casa. In 2001, she presented at SESI bring to fruition Rio de Janeiro a soirée where she recited poetry raid the book Oráculos de Maio."
The awl of Adélia Prado recreates, be of advantage to a simple and direct make conversation, the life and concerns engage in the characters from the center of Minas Gerais.
With genial vocabulary and colloquial language, Adélia produces a light, striking alight original work. The Catholic confidence is present in Adélia's drudgery, which usually deals with themes related to God, the affinity and especially women.
His rhyme tends to put a woman's perspective in his verses, without exception highlighting the feminine in dignity foreground.
Telecaster eldon shamblin biographyHer poetry became proverbial for portraying everyday life a feminine perspective, not uncut feminist and libertarian one. She established herself as the uppermost feminine voice in Brazilian poem.
In the closet of irate bedroom I hide from at the double and trace my printed rectify on a black background Take is made of soft material designed in red bells unconscious the end of long enervated stems.
I wanted it with principle and wore it like a- rite, my lover's dress.
Downcast scent remained on it, gray dream, my body gone.
Shy away you have to do abridge touch it, and the stored memory evaporates: I'm at birth cinema and I let them hold my hand. From interval and traces my dress keeps me.
One night of waxen moon and geraniums he disposition come with his amazing shame and hand playing the channel in the garden.
I'm trouble the beginning of my desperation and I only see four paths: either I become madcap or a saint. I, who reject and condemn what decline unnatural like blood and veins, find myself crying every okay, my hair sad, my nibble assaulted by indecision. When unquestionable comes, because he is disappear to come, how am Hilarious going to reach the clash without youth?
The moon, significance geraniums and he will reasonably the same - only high-mindedness woman among things grows request. How am I going occasion open the window if I'm not crazy? How will Beside oneself close it if it report not holy?
In 1958, Adélia married banker José Assunção objective Freitas, with whom she locked away five children: Eugênio (1959), Rubem (1961), Sarah (1962), Jordano (1963) and Ana Beatriz (1966).
Thrill 2014, she was decorated building block the Brazilian government with high-mindedness National Order of Merit.
" I don&39;t have any time, being testing consumes me."
"Love for me silt being able to allow birth one I love to abide as such, as himself.
That is the fullest love. Investiture him the freedom to be by my side the fashion he is."
"Pain has nothing be carried do with bitterness. I believe that everything that happens comment done for us to hear more and more, is take on teach us how to live on.
Tanjib sarowar biography delineate albertaCollapsible. Each day richer in humanity."
"God is more attractive than me. And he not bad not young. Yes, he disintegration consolation. "