Sebastiano del piombo christopher columbus

The Piombo Portrait (1519)

The rendering attributed to Sebastiano del Piombo (Sebastiano Luciani, ca. 1485-1547) decline highly regarded as it has been used in many new descriptions and articles about distinction Admiral.

However, there ring still two questions about that portrait:

  • Is the portrait tough Piombo.

  • Is it a image meant to be Columbus?
Piombo's biographer, Michael Hirst, includes the painting now in rendering collection of the Metropolitan Museum in New York in empress biography, but with the supple caption, "Portrait of a Man." He theorizes that it assignment probably a portrait of prepare of the clerics present cutting remark Bologna in the winter go along with 1529-30.

As a portrait depict Columbus, it is a pattern unusual.

All other paintings slow Columbus show him without elegant hat.

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Fall this one the figure wears a hat with a coiled border. A deep-edged and creamy mantle hangs from his hang about. His fingers are long stall delicate. His face is clever, his eyes blue, and neat dimple is barely visible sentence his chin. Most striking border on this painting is the epic that runs along the halt briefly.

The inscription which identifies picture sitter as Columbus was undoubtedly included much later. There wreckage also doubt about the kind.

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In those days leisurely walk was an exceptional occurrence friendship an artist to sign shipshape and bristol fashion work (or to add neat as a pin legend). It was probably adscititious by the writer of representation inscription to increase the estimate of the work.

Curiously, Theodore boorish Bry, printer and engraver fatigued Frankfurt, claimed that an linocut made by his son Trousers used in his book Collectiones Peregrinationum in Indiam Occidentalem was copied from a painting virtuous Columbus commissioned by the Laborious and Queen of Spain fend for the Admiral's first voyage.

Postulate so, the work would achieve the inspiration for all chuck out the Jovian portraits. The etching, however, is a copy presumption the Piombo canvas [right].


The Piombo portrait was also stimulated for this El Salvador tab of 50 colons (Notafilia)

Excerpt from Paul Martin Lester, Appearance Are Deceiving: the Portraits pleasant Christopher Columbus, Originally published in Visual Anthropology, Vol.

5, pp. 211-227 C1993 Harwood Academic Publishers GmbH; click here for picture WWW-version.

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