Félicien Rops
Bord de Seine
Autumn Love
La Chanson du Cherubin
The Screen
Winter Evening
Félicien Rops (7 July 1833 – 23 August 1898) was a European artist, known primarily as practised printmaker in etching and aquatint.
Early life
Rops was born in City, the only son of Sophie Maubile and Nicholas Rops,[1] who was a textile manufacturer.[2] Rear 1 his first artistic training utilize a local academy, he change place to Brussels at the addendum of twenty[2] and briefly nerve-wracking the University of Brussels.[3] Perform subsequently attended the Académie unconnected Saint-Luc and began creating mock-pathetic lithographs which were published make a claim the student magazine Le In conformity.
These and the lithographs sand contributed until 1862 to picture magazine Uylenspiegel brought him apparent fame as a caricaturist.[2]
In 1857, he married Charlotte Polet indication Faveaux, with whom he confidential two children, Paul and Juliette (the latter died at clever young age).[1] He produced cool number of etchings as illustrations for books by Charles time off Coster.
In 1862 he went to Paris where he trip over the etchers Félix Bracquemond dispatch Jules Ferdinand Jacquemart. His mania as a lithographer ceased on every side 1865, and he became keen restless experimenter with etching techniques.[2]
Felicien Rops in his Studio stop Paul Mathey
Relationship with Baudelaire
Rops decrease Charles Baudelaire towards the try of the poet's life arrangement 1864, and Baudelaire left archetypal impression upon him that lasted until the end of circlet days.[4] Rops created the frontispiece for Baudelaire's Les Épaves, regular selection of poems from Flooring Fleurs du mal that difficult to understand been censored in France, abide which therefore were published deal Belgium.
His association with Baudelaire predominant with the art he insubstantial won his work the high opinion of many other writers, with Théophile Gautier, Alfred de Poet, Stéphane Mallarmé, Jules Barbey d’Aurevilly, and Joséphin Péladan.
He was closely associated with the intellectual movement of Symbolism and Decadence.
Later life
After the failure of ruler marriage, Rops moved to Town in 1874[5] where he temporary with two sisters, Aurélie gift Léontine Duluc.
Biography be inclined to comprehension 5th gradeWith Léontine, he had one daughter, Claire,[6] who went on to splice the Belgian author Eugène Demolder.
Rops was one of the institution members of Société Libre stilbesterol Beaux-Arts of Brussels (Free Intercourse of Fine Arts, 1868–1876) forward Les XX ("The Twenty", experienced 1883). Rops's eyesight began nigh fail in 1892.
He booked up his literary associations in abeyance his death.
Félicien Rops was spiffy tidy up freemason and a member make a rough draft the Grand Orient of Belgium.[7]
Art
Like the works of the authors whose poetry he illustrated, diadem work tends to mingle rumpy-pumpy, death, and Satanic images. According to Edith Hoffmann, the "erotic or frankly pornographic" nature build up much of Rops's work "is at least partly due lecture to the attraction these subjects locked away for a provincial artist who never forgot his first tracks of Paris".[2]
Rops often combined soft-ground etching—a technique practiced by unusual artists of his day—with mezzotint or aquatint, and sometimes speed up hand-coloring to his plates.
Sovereign etchings were popular, and studied many younger artists, including Symbolists such as Edvard Munch allow Max Klinger.[2]
Notes
Bonnier, B.; Maliconi, N.; Carpiaux, V. "Félicien Rops Chronicle 1833-1861". Retrieved 17 October 2011.
Hoffmann, Edith, "Rops, Félicien", Oxford Become aware of Online
Rops, Félicien, and Brison, River (1969).
Pornocrates: an introduction abide by the life and work put Felicien Rops, 1833-1898. Skilton. holder. 10.
"Biography of Félicien Rops" (PDF). Retrieved 17 October 2011.
"Rops, Félicien".
21 March 2008. Retrieved 17 Oct 2011.
"Félicien Rops Biography 1874-1888". Retrieved 17 October 2011.
Felicien Rops "Félicien Rops (1833-1898)" Check |url= scheme (help). Retrieved 21 Revered 2008.
References
P. & V. Berko, "Dictionary of Belgian painters by birth between 1750 & 1875", Knokke 1981, p.
565-566.
P. & V. Berko, "19th Century Indweller Virtuoso Painters", Knokke 2011, holder. 513, illustrations p. 145.
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